The Sculptor

A couple of weeks ago, I was invited to create a series of portraits of artist and sculptor Rich Tomos-Simpson.

Known for his exploration of natural complex forms in bronze and steel, his work captures the fluidity and intricacy of organic structures, transforming metal into dynamic, expressive pieces.

As a two-dimensional creator myself—making prints in my darkroom or drawing in my sketchbooks—I’m often intrigued by the thoughts and processes of other artists and creators who create a physical piece of art.

As I shot and reloaded film, Rich explained the intricate processes and creative decisions that go into transforming his ideas into tangible works of art. The journey from conception to completion is slow and considered. It involves a deep engagement with his materials, techniques and personal vision.

The slow pace of capturing images on medium format film, developing the negatives, and making prints in my darkroom shares a certain kinship with Rich’s approach. My materials are my camera and film—my vision is the location and subject. I use engagement to combine these all together to achieve my personal vision.

I’m grateful to Rich for the rare opportunity to spend a few hours in his workspace and portray the essence of an artist deeply connected to form, movement, and material.

Check out Rich’s work: website / Instagram

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I’m always looking for people to photograph. Creators, makers, and individuals who shape their visions. If you’d like to collaborate or know someone who would, drop me a quick message, I’d love to hear from you.

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